Portraits of people living in the same streets, exhibited on house walls and accompanied by the question "Have we met before?" The series explores the sociology of urban life, characterized by short encounters and automated conversations. The portraits are left in public space, provoking both recognition and interaction with bypassers.

A continuation of the series "Have we met before?" presented as triptychs of two photographs and a story. Fictional narratives about short, seemingly irrelevant encounters explore the notion of an 'intimate stranger' - someone who remains unknown yet symbolically marks our lives.

BXL2 are portraits of a city multiplied by itself.
Photographs resemble colorful tiles that intersect gray pavements of Brussels. Taken during long walks through postmodern metropolis, images serve as a chronicle of forgotten moments. The guiding idea of the project is 'excess through minimal,' an epiphany that communicates through a detail.

Every book is a face, every face is a book.

Taken during a restoration project in the library archive in Leuven named Joseph II, this series explores the concept of double vulnerability. On the one hand, it captures books and manuscripts that were under threat of perishing due to a bacterial infection. On the other hand, it shows human civilization that is predicated upon written knowledge. In this symbiotic relationship between humans and books, the series narrates fictional stories of mutual dependence, symbiosis, and caregiving.

Portraits of a couple engaged in the discovery of the faces behind faces. Inspired by the concept of a funeral mask, the serious captures two individuals in the processes of the birth and death of emotions. Funeral masks do not represent a realistic version of individuals but rather their perfected selves. Human bodies thus swing between a desire for perfection and self-preservation, between death and imitation.

Series of portraits of women of different ages and ethnicities with an apple on their heads. The series refers to the story of Genesis where the weight of the sin and well as the task of redemption falls on female shoulders. An apple is simultaneously a weight and a crown, food and a divisive object (cf. the story of Paris) shared across cultures.

Photographs collected within the project 'Blind landscapes: Marks of lights taken with a white cloth over eyes.' The camera is, in these cases, an object that captures an image that only serves in the imagination of a blind observer. The reality is not captured directly but through the filter of remembrance and hope. Photographic moments are taken on random stops, in the moments of emotional saturation, without changes in focus, aperture or exposure. Image, preserved as a memento, is then accompanied with a note.

The light makes everything visible, except the light itself.

The series explores the interactions between different sources of light and their mixed genealogies, from wolfram wires to LED lamps.

Tram windows are photographic films open to long exposure.

Glass, which is a cold liquid, is treated as a gelatine emulsion that continually collects images that appear on its surface. Taken during long night rides in Zagreb, these photographs represent overlaying reflections of individuals and objects that do not meet anywhere but on glass windows, for an instant.